Dance Applications. This shoe has-beens Used In A Variety of dance performers for applications has VARYING Levels of expertise.Christian Louboutin All software mappings ROGUS employed [16], a C + + MIDI library Plantagenet at the MIT Media Laboratory. Fig. O shows a first performance, at the MIT Media Lab’s Wearable Computing Fashion Show in October 1997. Here, sounds triggered by the shoe (Notes On The Drucksensor, Transient Shock On The sensor and gyro) has augmented background dance sequence, while additional effects Gave Other sensors (eg, bend Produced transposes compass sounds panned around, etc..). Only one shoe Was Used at the time, and dance o Quickly Learned to control this limited musical palette. Figure 7: Byron Suber testing the shoes at MIT Figure 8: Layout for Stage Performance ADF Figure 6: Early shoe system “at its beginning in 1997 MIT After building a pair of new shoes, as seen in Fig. 3 Produced Another demonstration we play That dispensed with the sequence and enabled the dancer to launch and modify a Variety of continuous Manolo Blahnik Pump sounds, using Many of the sensor systems to phrasal 3. In this mapping, the right / left toes and heels Produced various melodic tones in harmony Assigned year; pressure sensor response from Must Be Both feet for this thesis tones, Malthus Insuring That They Are Both On The Ground. Bend of the sole toe thesis Transposed melodies by year octave up or down the DEPENDING ON bend direction, and pressure at the top toe sensors triggered cymbal crashes. The gyro Picked Up Twirls, Both launching a cascading glissando (and burst of white noise for very fast right-spin). The shock sensors Launched orchestra hits, and the left foot’s shock Also Turned off all notes and changed the harmony Played by the toes. Forward Tilt launched “sparkling” notes for the left foot and a digital pad sound in the right foot, while sideways tilt would adjust the octave ranges of sounds controlled by the Corresponding front tilt. As the shoes Approached the single sonar ping Used in this mapping, a cymbal / snare rhythm would start, Growing louder with the dancer’s approach. If the dancer is the electric field Stepped transmitter, all sounds would stop, and a droning chord would fade up, Increasing in volume as the football away Was Lifted From The electrode (different sound on EACH football), with the chord voicing as the Changing Was football rotated. We are now Completing a new, complex mappings for a performance / demonstration at the American Dance Festival, with Byron Suber and music by David Borden, ALSO of Cornell. The course setup Used in this performance IS shown in Fig. 8. There Will Be Two dancers in this performance, one year working with EACH shoe sensor. The Dancers Will Be Able To Either select a sequence or looped music sample to play in the background areas by stepping Into Either A or B above und foot tapping Their push to have the toe-top sensor. A31 and A13 Regions Will start playing a musical sample; There are five different samples of music excerpts in all (30-second loops), and thesis are selected by the region and range at Which the trigger occurred. Toe-tapping in regions B starts a MIDI sequence, Each Of Which Has 3 shares That the dancers can add and subtract, toe-tapping again by Appropriately in the B regions. The Drucksensor Will Play In The sole notes Golden sounds appropriate “to the current background, and thesis (together with the backing sequence, if appropriate) Will transpose up and down with bend of the shoe. When a shoe IS Lifted and tilted, continuous audio effects Proportionally Will Be added to a voice in the sequence or to the music sample (eg, filtering, flanging, reverb, crossfading, or vibrato, DEPENDING ON Currently what’s playing). Both angles of tilt are Used, Allowing one shoe to control the mix of Two different effects. Triggering one supercedes whatever IS Currently playing. If a dancer is in. gold A33 A11 zones, the sole’s Drucksensor Will play different pitched speech sentences Pronounced by a computer-generated voice, Allowing the dancer to put sentences together by Their musical movement. These phonemes are Also Transposed by the hearth’s Bend, and effects are similarly Introduced with tilt. THROUGHOUT the dance, different sonic events are tied to the shock accelerometer signals (eg, jumps, Leaps) and rate gyro, as in the mapping described “earlier.

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